The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Peter Prior was born with dopplism. Not a great hook, for a few reasons. I don't know what dopplism is, so I had to go Google it, and it's not a real word. I think the concept is cool, but essnetially you're beginning the query with a made up concept and word while not explaining what it is. This isn't a good move for a query, but additionally for an MG it raises the question of whether the text itself might be similarly veiled for the young reader. Whilst sleeping on his 15th birthday, he spawns a twin - the ganger to his original doppel. Start with this instead! This is interesting, and doesn't need a ton of explanation. Government Guardians, sent to snatch the ganger, take Peter by mistake and imprison him in an underground training kingdom, known as Subterra. There, Peter joins the 'renegades' – a group set upon escaping the punishing regime where gangers are at the mercy of the President's absolute power. Peter is determined to tell the world about the government's hate crime against gangers and to destroy Subterra. I think we need a little more world building here - so having dopplism is something that happens on a fairly regular basis in this world, it seems. Peter isn't necessaily an anomaly. This needs to be more clear. Also, why are the gangers hated / disliked? Is there something different about them? How are the distinct from their doppel and why are they persecuted?

The novel comes with a copy of the handbook given to all gangers when they enter Subterra, containing important information, including a map of the kingdom; the history of the organisation; the rules which recruits must follow; their training timetable and details of future missions. This is not the place to talk about bonus content. We don't really know what the plot of the book is, so you need to use your query space to get that across. We need more worldbuilding, as mentioned above, but we also need the plot to be more clear - what does Peter want? What is stopping him from getting it? How does he feel about his ganger? How does he feel about the other gangers he meets? Is there a supporting cast? Friends? I think the concept is awesome, but we need more plot here in order for an agent to jump.

SUBTERRA is an upper middle grade novel, complete at 54,000 words. It will appeal to readers of Chris Bradford's BODYGUARD series as an action adventure story, as well as to readers of Ben Oliver's THE LOOP in its story of teenagers’ bravery when imprisoned within a callous, fictional regime.

I have a First Class Honours Degree in English Literature from Durham University and I have been Head of English in 11-18 schools not sure what that means? for 13 years – a job which, happily, allows me to read and talk about books with young people, all day. I have had a short, humorous story published in Reader's Digest and I have met both my father's and my brother-in-law’s ganger. Good comp titles, good bio.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Once an archeologist extraordinaire, Alice Webb has been banished to an arctic wasteland. Why? The headteacher, who rules the University with chalkboards and grindstones, refused to take her word for it that fairytale creatures existed. Carnivorous birdmen to be exact. Instead of degrees and World Peace Prizes, Alice found herself expelled. It's an interesting premise, but I don't have a feel for the when of this. There aren't any words here to convey that this is SF or futuristic, but someone beng banned to the Arctic for their beliefs feels very dystopian, so I'm confused about the genre / setting.

Desperate to restore her soiled reputation and find shelter from the eternal blizzard beyond civilization, Alice discovers a most peculiar palace. Lo and behold, who should answer but a birdman named Pip? Despite bearing a beak with thousands of needlelike fangs, Pip is more than happy to usher Alice inside for a cup of tea and a bite of raw wolf. Inspiration strikes Alice. Wouldn’t this birdman make a fine homecoming present? Yes, there is the tiny issue of being banished. However, who could claim birdmen are nothing but fairy tale once Alice makes her triumphant return, birdmen in tow? Okay but... what's the plot? Right now I feel like you're walking us through maybe the first 50 pages or so, but I don't really know what the plot is, or why I should care.

Pip leaps at the chance to see more strange featherless creatures like Alice. After all, what are friends if not one-way tickets from a frigid hellscape? But if Alice continues regaling speeches on how she “single-handedly bested carnivorous birdmen,” these creatures will have none of her so-called “civilization” nor academic pride. I don't really know what this means. Friction develops between Alice and Pip / the birdmen? Are they back in civilization? Why does this matter? What's at stake?

[Personalized sentence] I saw you on Publisher’s Marketplace. I am seeking representation for my adult fantasy novel, THE PARADOX PALACE, complete at 95,000 words. It will appeal to fans of AXIOM’S END by Lindsay Ellis with its comedic interspecies friendship with an eldritch entity and PIRANESI by Susanna Clarke as it features a clueless protagonist exploring otherworldly architecture. Good comp titles

My short fiction won placement in the Gunard B. Carlson Memorial Foundation Creative Writing Contest and received an honorable mention from Writers of the Future. I am a graduate of the Immaculata University Honor Society and went on to work at the Phoenixville Public Library. Good bio!

You've done a good job of getting voice in here, which is usually a challenge for queries. However, it's at the sacrifice of the plot. I don't really know what Alice wants (other than validation) or what stands in her way. I don't know what's at risk - the friendship? Civilization itself if she pisses off the birdmen? And I don't know much about Alice's personality. She seems like an affable goof, but then in the last para it sounds like she's talking a lot of shit, and making enemies. More plot, more explanation of who Alice is would be a good move.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Vivaswan, (an Incarnatus, of course) reflects freely beyond time, space, and even memory. Ironically, he cannot remember why he was created, and though other Incarnatus have attempted to fathom their arcane origins - or expand their ethereal potencies - all have failed, merging too deeply within the expanses of the Causal Ocean, where the collective consciousness of all worlds and living entities rests eternally. Not gonna lie, I'm a smart person and I had to work to pick apart what this is saying. A query needs to be easily understood. This is a philosophy, not a hook. I don't really have an understanding of who this is, what their purpose is, and certainly not what the plot might be When otherworldly forces set upon him, Vivaswan reincarnates as an inconsequential beggar from India who again reincarnates within the continent of Dravideya, where forces churn against each other in the (usual) struggle for supremacy. Same thing, honestly.

In the South, Dwarka is under siege from the Krithim Empire. Rebel King Maitreya brings change - wanted or not - upon the land. Supported by his stalwart elder brother Ugrasena, Maitreya defies the oppressively lavish merchant nobility in the name of vindicated equality, and they are winning. This makes more sense, but I have no idea how any of this connects with Viviswan

Meanwhile, the threatened Ista Gosthi - a secret monopoly formed of Dwarkan merchants, political leaders, and economic influencers- attempt to infiltrate Krithim, only to discover Maitreya’s purpose is not so noble: in his attempt to upturn Dravideyan society for the so-called “better”, he has joined arms with a Siddha… I don't know what a Siddha is, so I don't know what this means or why it's impactful

Niyantr - the only other remaining Siddha on Dravideya - is a piece of work: an advanced sage with unmatched magical power, decades of knowledge, and a Machiavellian approach to goals. Whilst Maitreya uses him to further his siege on Dwarka, Niyantr uses Maitreya to revive Virinchi, an Incarnatus long-since betrayed and defeated for having been the only one close enough to achieve oneness with the Causal Ocean. He is desperate to seize Vivaswan to complete the resurrection, but Vivaswan barely escapes capture, grappling with an ever-growing question: is he just an Indian beggar lost in another world, or perhaps something far, far, more universal…? Again, I don't have a great idea of what the plot is, who the main character is. What is the goal, what does the main character want, and what is standing in their way?

If beginnings are anything to go by, then let’s start with the assumption that I entered this world half South African, half South Indian, and somehow another half was left over to be a first-generation American. Not bad, right?

After my parents emigrated and settled in the USA from South Africa, life brought me somehow to India, and I grew up in the world of bhakti yoga, studying the Gitopanishad and the Vedanta Sutra texts (great inspirations for my submission, in fact), and understanding a little bit more about the vedic way of life. Life is actually pretty fascinating here! I grew up for many years in a gurukula (a vedic sort of boys’ ashram) where spiritual, academic, and material life are all wrapped up like a holy school-shaped burrito. We distributed food to the local communities, helped clean up a never-ending pile of trash from the town, joined the boys for some sankirtan singing from time to time, and bizarrely: I even learned to cook for myself (shocker, I know!). Sometime shortly after that, I happened to turn into a 20-something-year-old aspiring author navigating the nebulous tides of query letter and book edit lore, to which I can only say: “Lord have mercy!”, but in order to not have to live under a bridge (the traditional scenario for tortured artists), I decided to get a crispy degree in BB Finance & Administration.

I work in ecclesiastical education, and the community I live in is literally multi-national from all over the world (we’re still waiting on the North Koreans who are currently unavailable for comment), in the village of Sri Mayapur, which is about 4 hours by flying carpet - err, I mean car - from the nearest place where good coffee can be found. It’s not a bad life. Your bio is almost as long as the query, which isn't a good move. Your bio needs to relate to your writing experience, or how it relates to the content. I also don't advise being cutesy in your bio. Agents see hundreds upon hundreds of people trying to do this, and it's pretty much impossible to do this in a way that is actually charming.

Lots of things not working here - you don't say the title, the genre, the word count, or anything regarding where this would fit into the market, etc., which is pivotal. Again, I don't have a good idea of what the actual plot of the book is b/c the wording is so convoluted, and the bio is way, way too long. Look into some query writing basics, check out Jane Friedman in particular (link below).

https://janefriedman.com/query-letters/